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Hot Cripple #21/October 2016- Frida Kahlo

10/6/2016

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This "Hot Cripple" Series is an experiment; an effort to bring attention to the fact that Disability isn't necessarily synonymous with Ugly- as in Ugly Laws, which proliferated this country for over a century.

This month we feature Mexican artist, Frida Kahlo. ​​
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Frida Kahlo was born on July 6, 1907, in Coyocoán, Mexico City, Mexico. Her work has been celebrated internationally as emblematic of Mexican national and indigenous traditions, and by feminists for its uncompromising depiction of the female experience and form.

Kahlo suffered lifelong health problems, many of which were caused by a traffic accident she survived as a teenager. The isolation associated with the recovery from her various injuries influenced her works, many of which are self-portraits. Kahlo suggested, "I paint myself because I am so often alone and because I am the subject I know best."
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Without Hope (1945)
When Kahlo was six years old, she contracted polio, which rendered her right leg shorter and thinner than the left. She noted that the experience profoundly changed her personality, but it also bonded her to her father due to their shared experience of living with disability. Guillermo Khalo, who had severe epilepsy, taught her about literature, nature, philosophy and encouraged her to exercise and play sports to regain her strength after polio. She took up bicycling, roller skating, swimming, boxing, and wrestling, despite the fact that many of these activities were then reserved for boys. Her father also taught her photography and she began helping him retouch, develop and color his photographs.
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The Broken Column (1944)
​On September 17, 1925, Frida Kahlo was riding in a bus that collided with a trolley car. Kahlo suffered nearly fatal injuries--an iron handrail impaled her through her pelvis, fracturing the bone, and she also fractured several ribs, her legs, and a collarbone. She initially spent a month in the hospital and two months recovering at home. After the accident, Kahlo neglected the study of medicine to begin a painting career. Of her 143 paintings, fifty-five are self-portraits which often incorporate symbolic portrayals of physical and psychological wounds. She insisted, "I never painted dreams. I painted my own reality."

​As a young artist, Kahlo communicated with the Mexican painter Diego Rivera, whose work she admired, asking him for advice about pursuing art as a career. He recognized her talent and encouraged her artistic development. They began an intimate relationship and were married in 1929.

​Their marriage was often troubled. Kahlo and Rivera both had irritable temperaments and numerous extramarital affairs. The bisexual Kahlo had affairs with both men and women. Rivera knew of and tolerated her relationships with women, but her relationships with men made him jealous. For her part, Kahlo was furious when she learned that Rivera had an affair with her younger sister, Cristina. The couple divorced in November 1939, but remarried in December 1940. Their second marriage was as troubled as the first. Their living quarters were often separate, although sometimes adjacent.
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"No," she explains, "I didn't study with Diego. I didn't study with anyone. I just started to paint..."Of course," she explains, "he does pretty well for a little boy, but it is I who am the big artist."
Her health issues became nearly all-consuming in 1950. After being diagnosed with gangrene in her right foot, Kahlo spent nine months in the hospital and had several operations during this time. She continued to paint and support political causes despite having limited mobility. In 1953, Kahlo received her first solo exhibition in Mexico. She may have been bedridden at the time, but she did not miss out on the exhibition’s opening. Arriving by ambulance, Kahlo spent the evening talking and celebrating with the event’s attendees from the comfort of a four-poster bed set up in the gallery just for her. Kahlo’s joy was dampened a few months later when part of her right leg was amputated to stop the spread of gangrene.

Deeply depressed, Kahlo was hospitalized again in April 1954 because of poor health, or, as some reports indicated, a suicide attempt. She returned to the hospital two months later with bronchial pneumonia. No matter her physical condition, Kahlo did not let that stand in the way of her political activism. Her final public appearance was a demonstration against the U.S.-backed overthrow of President Jacobo Arbenz of Guatemala on July 2. About a week after her 47th birthday, Kahlo died on July 13. There has been some speculation regarding the nature of her death. It was reported to be caused by a pulmonary embolism, but there have also been stories about a possible suicide.
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Street Art (Barcelona, Spain)
Since her death, Kahlo’s fame as an artist has only grown. The feminist movement of the 1970s led to renewed interest in her life and work, as Kahlo was viewed by many as an icon of female creativity. 
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